Musicals & Plays
Words… out loud!
Cliffhanger! A Very Serious ParodyMusical
Book, Music & Lyrics by Rob Shapiro
No guns, no blood, no budget… No problem.
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The 1993 action movie Cliffhanger tells the story of Gabe Walker, a guilt-ridden park ranger, who is drawn back to work to rescue stranded hikers… who turn out to be a gang of money-stealing criminals. Gabe kills the bad guys, naturally.
Cliffhanger! A Very Serious Parody Musical asks: what if Gabe went to therapy to replay the violent events of his past? The film had a massive budget, dangerous stunts, and excessive violence. This show? Low budget, minimal peril, and guns are replaced with children’s maracas.
It’s time for Gabe to climb back up and let go. Figuratively.
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10 people. This is a parody of an early ’90s action movie, so the gender of the actor is not as important as the tropes of the characters.
Gabe – The prideful park ranger who hangs on to stuff both physically and emotionally
Hal – The terrible but well-meaning park ranger
Jessie – The eager and earnest park ranger (doubles as Flight Attendant and The Bunny)
Frank – The senile park ranger and helicopter pilot (doubles as FBI Guy)
Sarah / Kristel: Sarah – The doomed novice climber and Hal’s girlfriend; Kristel – The doomed pilot and criminal Mama Bear
Travers – The turncoat US Treasury Department Agent
Qualen – The cool criminal leader with an elusive Continental accent
Brett / Henchman 1: Brett – The ’90s “rock jock” who likes extreme sport; Henchman 1 – The dumb henchman
Evan / Henchman 2: Evan – The other ’90s “rock jock” who likes Brett more than he likes extreme sports; Henchman 2 – The brute henchman
Therapist – The psychiatrist (this role could be played by a rotating guest)
Read the script and listen to the composer demos.
The Backyard
A play by Rob Shapiro
What would you do if the past was right next door?
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Brooklyn millennials Nate and Addie have recently moved into a beautiful parlor brownstone apartment, when a Yiddish-speaking stranger appears one night through the ivy-covered brick wall in their backyard claiming to be from Auschwitz in 1941.
Unproduced
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Nate – 30s
Addie – 30s
Josh – 30s
Abraham – 50s
Jayne – late 60s
Gabrielle – young 20s
Clayton – 40s
Read the script.
Rodgers & Hammerstein’s Oklahoma! in Concert
Music by Richard Rodgers, Book and Lyrics by Oscar Hammerstein II, Concert Adaptation by Rob Shapiro
The first concert libretto of the classic musical approved for worldwide licensing.
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A concert adaptation of the groundbreaking musical that set the stage for all that followed! Rodgers & Hammerstein’s exuberant classic is a lively, tuneful musical full of cowboys, farmers, romance and fearless optimism.
Premiered at the Springfield Symphony Orchestra, Springfield, MO (2019)
Available for licensing through Concord Theatricals
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Narrator
Aunt Eller (Range: D3-A4)
Curly (Range: Db3-F4 (opt. F#4))
Laurey (Range: D4-E5 (opt. A5))
Ike Skidmore (Range: D3-F4)
Fred (Range: E3-B3)
Slim
Will Parker (Range: Eb3-F4)
Jud Fry (Range: D3-C#4)
Ado Annie Carnes (Range: C4-E5 (opt. F5))
Ali Hakim
Gertie Cummings
Ellen
Kate
Sylvie
Armina
Aggie
Andrew Carnes (Range: E3-F4)
Cord Elam (Range: F#3-A3)
Jess
Chalmers
Mike
Joe
SamNote: In this show, the race of the characters is not pivotal to the plot. We encourage you to consider diversity and inclusion in your casting choices.
Learn more and license the concert.
A Hanukkah Jamboree
Book, Music & Lyrics by Rob Shapiro
A cabaret of songs and humor for the festival of lights. “They tried to kill us, we won, let’s eat.”
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Rob Shapiro, friends and special guests present the story of Hanukkah with songs, latkes, and a little bit of humor!
75 minutes
Produced at Ars Nova’s ANT Fest, New York (2011); 54 Below, New York, NY (2013)
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(Each actor plays themself and multiple ensemble roles with the exception of the guests.)
Man 1 – the host, others
Man 2 – Mattathius, others
Man 3 –Jew #1, Judah, others
Woman 1 – a shiksa, Messenger, Jonathan, others
Woman 2 – Sorority Sister, Jew #3, Simeon, others
Woman 3 – Sorority Sister #1, Jew #2, Jochanan, others
3 Guests
Listen to the full
54 Below performance.
Catch
Music, Lyrics & Book by Rob Shapiro
They were looking for someone to root for. They found a team for the history books.
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In 1958, an out-of-work Brooklyn sportswriter and widower relocates with his son to Nebraska, where they struggle to fit into a small farming community. In an effort to return home, the son secretly resurrects the town's historic minor league baseball team through fictional newspaper reports—a lie which quickly grows until CBS Radio asks them to broadcast a live game.
2 Acts
Developed at the Dramatist Fellowship Program (2011-2012) and Rhinebeck Writers Retreat (2013)
Finalist, B-Side Productions’ New American Musical Award (2015)
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Daniel Stein – a sportswriter from Brooklyn (male, late 30s)
Ryan Stein – Daniel’s son (male, 12)
Paige Austin – the Mayor of Homer (female, late 30s)
Greg Austin – a farmer, Paige’s older brother (male, late 30s)
Tim Austin – Greg’s son (male, 17)
Janey Logan – a local latchkey kid, member of the 4-H club (female, early teens)
Harold Lindeman – Tim’s friend, and member of the 4-H club (male, 17)
Ezra Hastings – a farmer and former ball player (male, 40s)
Graham Thompson – a farmer and former ball player (male, 40s)
Jacob Roseman – Daniel’s former editor (male, 50s-60s)
Uncle Philip – Daniel’s uncle (male, 60s)
William Griffin – banker, sheriff and former ball player (male, 40-50s)
Lily Larkin – runs the Larkin General Store (female, 50s-60s)
Penelope Austin – Greg’s wife & Paige’s sister-in-law (female, early 40s)
Katherine Franklin – town secretary (female, 40s)
Wendy Logan – Janey’s mother, owner of the Logan Garage (female, 40s)
Ensemble: Brooklyn Bartender, Bar Patrons, Residents & Farmers of Homer
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Rob Shapiro
Catch
Plot Synopsis with Songs
ACT 1
On opening day of the 1958 baseball season, out-of-work sportswriter and widower Daniel Stein laments the loss of the Brooklyn Dodgers with the other fans (“Dem Bums”). In addition to mounting debt and lack of employment, Daniel has trouble taking care of his twelve-year-old son Ryan. From a letter, Daniel learns that his late wife’s family farm in Nebraska faces foreclosure, and his Uncle Philip convinces him to travel to Nebraska to address unfinished business. Daniel breaks the news to Ryan as they play catch in the alley (“Two Men On”).
In Homer, Nebraska, Mayor Paige Austin and the 4-H club welcome Daniel and Ryan to their small farm town (“We Got Space”). At the VFW Hall, Daniel meets the community and Paige’s brother Greg who runs the neighboring farm that has been renting Daniel’s land. In an effort to stave off foreclosure to both properties, Daniel reluctantly agrees to work on the Austin Farm for the season while they make capital improvements to his house where Paige has been living. Over the next few days, the Austin family and the townsfolk teach Daniel farming basics (“Against the Odds”), while Tim, Harold and Janey initiate Ryan into the 4-H club. Ryan however misses baseball and home (“Back in Brooklyn”). In an effort to cheer up the Brooklyn boys, Paige shares her personal memorabilia and scorebooks of the town’s former minor league baseball team, the Dogs. The beloved team stopped playing when World War 2 broke out and many of the players – including her fiancée – died in battle (“The Boys in Uniform”).
Inspired by the scorebooks, Ryan enlists the help of the 4-H club to create a fictional report about the Dogs, and he sends it to his father’s former newspaper editor (“Brooklyn Needs a Baseball Team”). A week later Daniel receives a check and an encouraging note: the paper wants more reports (“Jacob’s Letter”). Sensing an opportunity, he and Ryan continue writing fictional reports based on the team and the town (“Dem Bums – Reprise”). As the summer passes, the corn grows in Homer while readership grows in New York (“Down on the Farm”). Despite the crop growth, some of the neighbors decide to halt production to take government subsidies, placing the town in danger. Greg refuses to follow suit and vows to continue on farming (“Fallow Ground”).
Paige discovers Daniel’s reports and threatens to tell the truth, but he convinces her otherwise; she agrees to help him as long as they remain true to the team’s history (“Brooklyn Needs a Baseball Team – Reprise). Daniel, Paige, Ryan and the 4-H club chart the Dogs’ rally into first place, and the community and former ball players – not realizing the pretense – is excited to revisit their championship season (“Play By Play”). Suddenly, Daniel receives a letter from CBS in New York proposing that he broadcast a live baseball game on the radio.
ACT 2
The group brainstorms ways to create a broadcast, and Janey, a young radio enthusiast, encourages them to use foley to mimic the sounds of the game (“On the Radio”). Under the guise of a “historic recreation,” Paige gathers her neighbors and family to take part in the endeavor (“Fallow Ground – Reprise”). The rehearsal flops at first, but Daniel cleverly coaches the townsfolk into creating the noise of a ballpark, sound effects and the play-by-play (“The Baseball Symphony”). As everyone heads off to prepare for the Harvest Festival, Greg takes a phone call from Daniel’s editor: Daniel is being offered an immediate job in Los Angeles.
At the Festival, the town dances and celebrates (“The Well Song”). When Paige learns of Daniel’s job offer, she tries to convince him to keep his promise to stay until the end of the season (“Nebraska”). Greg puts two-and-two together, and he reveals the truth about Daniel’s reports to the town. The town votes on whether to continue with the broadcast, but the count is tied when Ryan abstains and runs away at the prospect of moving to L.A.
Recognizing that his relationship with his son is more important than the Dodgers, Daniel finds Ryan and admits his failings as an absent father. The two reconcile and decide to continue the broadcast even if everyone knows it’s fake (“Someone to Root For”). Daniel apologizes to Paige and Greg, agrees to stay in Homer until the harvest is done and offers them his land for free. The town assembles to create the broadcast, and Paige saves Daniel from revealing the truth on air by changing history and letting her beloved Dogs lose (“Finale”).
Listen to songs.
Read the script.
Seen Change!
By A Broken Umbrella Theatre & Jason Wells; Lyrics by Rob Shapiro, Music by Will Aronson
An original musical created for New Haven’s Shubert Theatre’s 100th Anniversary
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An apprentice defies age-old theater superstition, and everything goes wrong for an out-of- town musical on its final day of rehearsal.
2 ActsProduced at the Shubert Theatre, New Haven, CT (2015)
Winner! Outstanding Professional Production, 2015 OnStage Critics Awards
See more at A Broken Umbrella Theatre’s show page. -
Lisa (An Intern)
Peter (An Audience Member)
Cynthia (His Girlfriend)
Jess (A Stage Manager)
Emily (A Carp (Not The Fish))
Jacy (A Wardrobe Head)
Technician #1 (A Technician From The Present)
Technician #2 (A Technician From The Present)
Dana (A Composer)
Rob (A Lyricist)
Ryan #1 (An Actor From The Present)
Ryan #2 (An Actor From The Past)
Ryan #3 (An Understudy From The Present)
Timothy T Wilson Willoughby (Timothy T Wilson Willoughby)
Guy In A Toga (An Actor From The Past)
Guy In A Kilt (An Actor From The Past)
Jimmie (A Door Man From The Past)
Vinnie (A Technician From The Past)
Maurice (A Producer From The Past)
Mary Jane (A Proucer From The Present)
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“A valentine to the Shubert — celebrating its 100th anniversary — and to theater itself and all the people who help make it (even a union stage hand gets a song). It's lovingly presented, imaginatively staged and enthusiastically performed. Best of all is the tuneful score with music by Will Aronson and lyrics by Rob Shapiro. They've created a catchy pastiche of songs that deliver the goods now just as they did during the Golden Age of the Broadway musical.” – Frank Rizzo, The Hartford Courant (link)
“Seen Change! is Broken Umbrella’s most ambitious work to date, enacting a story that commemorates Shubert history, plays with superstitions from theater lore, and delivers song, dance, and the-show-must-go-on comedy. It surprises and impresses with its resourcefulness and its bravura love for theater as a communal experience. Shapiro and Aronson have come up with a series of numbers that recall the days of 1940s musicals.” – Donald Brown, New Haven Independent (link)
Listen to the demo.
Le Fou
Book by Bekah Brunstetter; Lyrics by Rob Shapiro; Music by Julia Meinwald
An adaptation of Brunstetter’s play about celebrity, love, scandal, letters, and a missing glove.
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After the scandal of John Singer Sargent's painting "Madame X", six Parisian women face the reality and illusion of the art of love.
75 minutes
Workshop at New Georges, New York (2009); Staged Reading, New York (2011)
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Simone – The Old Woman, constantly lamenting things. She never leaves.
Carmel – 16, full of hope. About to write her first love letter ever.
Eloise – Fat and Patient. She has been waiting for her letter for forever.
Amelie – famous, beautiful, mysterious. Men long to paint pictures of her and hang them above their loveless beds. She is an innovator of manor and dress.
Solene – a slut. Middle age. Drooping. Spending bank to hide it. A player. She's got one sexless marriage and lots of money to compensate for the lack thereof. Gossip. Most everything she says is for everyone's benefit.
Aurelie – a sweet woman, middle age. Solene's sidekick. Tries to keep up - verbally - fashionably - with Solene.
Henrie – a waiter and porter. Lower class. Bursting with creative energy; pissed at his line of work.
Jean Paul – a lonely old man, Master of the café. He runs the joint and is pretty much immune to everything.